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From Publishers Weekly
Deadly tricks of the international spy trade illuminate various tactics of survival, collaboration, disinformation--and the creative process--in this complex tale of journalism and subversion in Latin America. Cycling back and forth in time and through a protean array of distinct narrative voices and points of view, Mexican crime novelist Taibo ( No Happy Ending ) gradually gives shape to a whirlwind of brief fragments from the lives of his diverse characters. These include Leon Trotsky, Stan Laurel and Houdini, each of whom is presented in an unexpected but somehow credible context. The various narrative threads intersect in 1980s Mexico, where Alex, who comes from an obscure intelligence office in New York, orchestrates his masterpiece of deception, a scheme to vilify the Sandinista leadership in Nicaragua; and where two journalists, Julio and Greg, bring their eponymous four hands together to tell the tale. Taibo's prose is rich in metaphor, and his confident, insightful storytelling makes the individual pieces of his novel intriguing long before the connections among them are apparent. Dail's translation does fine justice to the author's colorful, virtuosic narrative.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
At times reminiscent of Doctorow's work, Four Hands is a glorious documentary-style novel, offbeat and usually comic. Taibo (Some Clouds, LJ 6/1/92) focuses on two 1980s journalists. Both partners and friends, Mexican Julio Fernandez and North American Greg Simon write about politics and revolution for the likes of Mother Jones and Rolling Stone. Interwoven with their stories are strands of fiction and fictionalized nonfiction that span the decades of the 20th century, roaming from the Americas to Europe and back. Other characters include Stan Laurel, Leon Trotsky, and civil engineer and anti-Sandinista Ben Linder. Taibo, who lives in Mexico City, is already well known to Spanish-language readers. This novel belongs in all strong contemporary literature collections.
Mary Margaret Benson, Linfield Coll. Lib., McMinnville, Ore.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Taibo is usually considered a crime writer due to such anarchistic detective novels as No Happy Ending , but even though espionage plays a role here, this hilariously disorienting tale is too slippery for a genre designation. The title refers to lucrative if frequently ludicrous partnerships, such as that of Laurel and Hardy (Stan Laurel plays a key role in this complicated narrative), and the collaboration of the novel's main characters, journalists Greg and Julio. Greg, Jewish and chronically alienated, is the photographer, while Julio, loquacious and sanguine, does most of the writing, although, four-handedly, they manage to crank out articles in both Spanish and English, doubling their earning potential. As they track down their latest story amid the chaos and fervor of Latin American politics, war, gun trading, and drug dealing, they inadvertently parallel Operation Snow White, the goofy, most likely pointless brainchild of a CIA operative named Alex. Taibo's cleverly fractured yet unmistakably pointed plot involves dwarfs both literal and figurative, Houdini, a long-lost manuscript of a mystery written by Trotsky, and wonderfully caustic musings on the cult of information. Taibo ranges all over the map, and we follow, curious and entertained. Donna Seaman
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